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Daguerre's 1838 Photo Captures First Person

Louis Daguerre's 1838 daguerreotype of a Paris boulevard, taken during a minutes-long exposure, accidentally recorded a man having his boots shined, making

Louis Daguerre's 1838 daguerreotype of a Paris boulevard, taken during a minutes-long exposure, accidentally recorded a...

A man having his boots shined on a Paris street in 1838 became the earliest identifiable person ever photographed. Louis Daguerre captured the scene, titled Boulevard du Temple, using a minutes-long exposure that erased all moving subjects from the frame except the stationary pair.

According to a report on Fstoppers, the image is one of the strangest firsts in photographic history. It is not a portrait but a long exposure that washed out an entire city, leaving two anonymous figures frozen on a silver plate.

The Scene and the Process

Daguerre made the plate from his studio window overlooking the Boulevard du Temple. Historians place the exposure in the spring of 1838, probably on a morning between late April and May at around eight o'clock. Some accounts leave open the possibility of 1837.

The plate itself is small, roughly 13 by 16 centimeters. It is a sheet of copper coated with a thin layer of polished silver. A daguerreotype is a unique object that shifts between a positive and a negative image depending on the viewing angle.

Daguerre was methodically studying the light on his boulevard. He exposed the same view again at midday and in the evening.

Why Only Two Figures Remain

Daguerre's process required an exposure lasting several minutes. This duration caused any moving object to leave only a faint trace or disappear entirely.

Estimates for the exposure time of this plate vary. Sources cite figures ranging from four or five minutes up to fifteen minutes, with seven to thirteen minutes often mentioned. No exposure log survives.

Over such a period, pedestrians, carriages, and horses would move across the scene too quickly to register. The man and the bootblack remained still long enough for their images to accumulate on the plate. Close readers believe they can find faint possible traces of other people, a horse, or maybe a child in a window.

A Mirror Image Debate

The daguerreotype presents a laterally reversed, mirror image of the scene. This reversal has complicated efforts to pinpoint the exact location on the boulevard.

A small group of researchers has questioned whether the standing figure is a person, suggesting it could be a street fixture like a water pump. The interpretation of the pair as a customer and a bootblack remains the most widely accepted view. The debate highlights the challenges of interpreting a tiny, aged image.

Daguerre's Path to the Image

Louis Daguerre was a showman and painter, not a scientist. His path to photography ran through inventor Joseph Nicephore Niepce. Niepce's View from the Window at Le Gras from the 1820s is the earliest surviving photograph of a real scene, requiring an exposure traditionally estimated at about eight hours.

Daguerre partnered with Niepce in 1829. After Niepce's death in 1833, Daguerre refined the chemistry. His work cut exposure times from hours to minutes. Boulevard du Temple proved that a person could be captured, even if only by accident.

The process was revealed to the world in 1839, first described to the Academie des Sciences in Paris on January 7 by astronomer Francois Arago. The full method was disclosed on August 19 of that year.

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